Final-References — Choreographing Architecture

REFERENCES

WINTER 2020

Alexander, Z. Ç. (2017). Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design. University of Chicago Press. Retrieved from: https://chicago-universitypressscholarship-com.proxy3.library.mcgill.ca/view/10.7208/chicago/9780226485348.001.0001/upso-9780226485201

Allen, S. (2012). Practice: Architecture, Technique and Representation (0 ed.). Routledge. https://doi.org/10.4324/9780203723708

Ateliers Jean Nouvel. Expo 2000—"The Future of Work". (2000). Retrieved February 5, 2020, from http://www.jeannouvel.com/en/projects/expo-2000-le-futur-du-travail/

Bernard Tschumi Architects. Retrieved January 25, 2020, from http://www.tschumi.com/projects/18/

Bingham-Hall, J., & Cosgrave, E. (2019). Choreographing the city: Can dance practice inform the engineering of sustainable urban environments? Mobilities, 14(2), 188–203. Retrieved from: https://doi.org/10.1080/17450101.2019.1567981

Collard, C. (2015). Moving or Morphing Target? Hypermedial Hybrids, Diller+Scofidio-Style. Body, Space & Technology, 14(0).https://doi.org/10.16995/bst.27

Davies, E. (2001). Beyond dance : Laban's legacy of movement analysis. London: Brechin Books.

deLahunta, S., & Shaw, N. Z. (2008). Choreographic Resources Agents, Archives, Scores and Installations. Performance Research, 13(1), 131–133. https://doi.org/10.1080/13528160802465664

DS+R. Moving Target (1996). Retrieved January 25, 2020, from https://dsrny.com/project/moving-target

Forsythe, W. & deLahunta, S. (2013), Motion Bank, Retrieved January 25, 2020 from http://motionbank.org/.

Gehm, S., Husemann, P., Wilcke, K., & Tanzkongress Deutschland. (2007). Knowledge in motion : Perspectives of artistic and scientific research in dance (Tanzscripte, v. 9). Bielefeld: Transcript.

Goldberg, R. (2019). Bodybuilding: Architecture and performance (C. Aubin & C. Mínguez Carrasco, Eds.). New York, New York: Performa.

Goodman, N. (1968). Languages of Art: An Approach to a Theory of Symbols. Bobbs-Merrill.

Graham Foundation > Exhibitions > Experiments in Environment: The Halprin Workshops, 1966-1971. Retrieved January 25, 2020, from http://grahamfoundation.org/public_exhibitions/5241-experiments-in-environment-the-halprin-workshops-1966-1971

Groves, R. (2007). MOTION BANK: Investing in Dance Knowledge. In Gehm, S., Husemann, P., Wilcke, K., & Tanzkongress Deutschland. Knowledge in motion : Perspectives of artistic and scientific research in dance (pp. 91-94). Bielefeld: Transcript.

Guest, A. H. (2005). Labanotation : The system of analyzing and recording movement. Retrieved from https://ebookcentral.proquest.com

Halprin, L., & Burns, J. (1974). Taking part: A workshop approach to collective creativity. Cambridge: MIT Press.

Hirsch, A. B. (2014). City Choreographer: Lawrence Halprin in Urban Renewal America. University of Minnesota Press. Retrieved from: https://minnesota-universitypressscholarship-com.proxy3.library.mcgill.ca/view/10.5749/minnesota/9780816679782.001.0001/upso-9780816679782

Hunter, V. (2011). Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance. New Theatre Quarterly, 27(1), 28–40. https://doi.org/10.1017/S0266464X11000030

Ingold, T. (2007). Lines : A brief history. London: Routledge.

Katan-Schmid, E. (2016). Embodied philosophy in dance: Gaga and Ohad Naharin's movement research (Performance philosophy). London: Palgrave Macmillan. (2016). Retrieved October 24, 2019, from https://link.springer.com.proxy3.library.mcgill.ca/content/pdf/10.1057%2F978-1-137-60186-5.pdf

Khan, O., Hannah, D., & Tschumi, B. (2008). Performance/Architecture: An Interview with Bernard Tschumi. Journal of Architectural Education (1984-), 61(4), 52–58. JSTOR.

Lueder, C. (2017). Evaluator, Choreographer, Ideologue, Catalyst: The Disparate Reception

Histories of Alexander Klein’s Graphical Method.Journal of the Society of Architectural Historians, 76(1), 82–106. https://doi.org/10.1525/jsah.2017.76.1.82

Meehan, E., & Blades, H. (2019). Performing Process: Sharing Dance and Choreographic Practice. Intellect Books.

Metropolis (2018). Kunlé Adeyemi’s Prelude to the Shed Opens Today. (2018, May 1). Metropolis. https://www.metropolismag.com/architecture/cultural-architecture/kunle-adeyemi-prelude-shed/

Morphopedia—Architecture. Silent Collisions (2003). Retrieved January 25, 2020, from https://www.morphosis.com/architecture/33/

NLÉ. A Prelude to The Shed (2018). Retrieved January 25, 2020, from https://www.nleworks.com/case/a-prelude-to-the-shed/

Shaw, N. Z. (2007). Researching Dancing. In Gehm, S., Husemann, P., Wilcke, K., & Tanzkongress Deutschland. Knowledge in motion : Perspectives of artistic and scientific research in dance (pp. 94-97). Bielefeld: Transcript.

Spier, S. (2005). Dancing and drawing, choreography and architecture. The Journal of Architecture, 10(4), 349-364.

Tschumi, B. (1983). ILLUSTRATED INDEX: THEMES FROM THE MANHATTAN TRANSCRIPTS. AA Files, (4), 65-74. Retrieved January 25, 2020, from www.jstor.org/stable/29543364

Weinstein, B. (2008). Flamand and His Architectural Entourage. Journal of Architectural Education, 61(4), 25–33.

Vidler, A. (2000). Diagrams of Diagrams: Architectural Abstraction and Modern Representation. 21.

FALL 2020

Adams, A., & Toromanoff, D. (2016). Kitchen Kinetics: Women’s Movements in Sigrun Bulow-Hube’s Research. Resources for Feminist Research: RFR = Documentation Sur La Recherche Féministe: DRF, 34, 9–39.

Engel, L. (2008). The Dance of the Now—Poetics of Everyday Human Movement. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 9(2), Article 2. https://www.qualitative-research.net/index.php/fqs/article/view/388

Lefebvre, H. (2004). Rhythmanalysis : space, time, and everyday life (Ser. Athlone contemporary european thinkers). Continuum. Retrieved from https://www.bloomsbury.com/uk/rhythmanalysis-9781472507167/

Leroi-Gourhan André. (1993). Gesture and speech (Ser. October books). MIT Press.

Pierce, R. J. (1976, April 4). ‘Everyday’ Movement As Dance (Published 1976). The New York Times. https://www.nytimes.com/1976/04/04/archives/everyday-movement-as-dance-avantgarde-dance.html

Richard Serra. Verblist. 1967–68 | MoMA. (n.d.). The Museum of Modern Art. Retrieved September 8, 2020, from https://www.moma.org/collection/works/152793

Stathopoulou, D. (2011). From Dance Movement to Architectural Form. Undefined. /paper/From-Dance-Movement-to-Architectural-Form-Stathopoulou/2e2cbb953da49116089b4f773ac693804b1fdb44

SUMMER 2020

Amy La Viers. (2020, January 27). http://archive.org/details/20200127amylaviers

Bezjak, P. (2014). Home. Labanotator. http://www.labanotator.com/

Daniel, M.-P., & Tversky, B. (2012). How to put things together. Cognitive Processing, 13(4), 303–319. https://doi.org/10.1007/s10339-012-0521-5

Davis Centre Video Press: Dance (2013). Intensive Course in Elementary Labanotation. [Video]. Youtube. https://www.youtube.com/watch?v=bIhCI7WIBJg

Harries, J. G. (1986). SYMMETRY AND NOTATION: REGULARITY AND SYMMETRY IN NOTATED COMPUTER GRAPHICS. Comp. & Maths. with Appls. 12B(I/2).303-314. https://core.ac.uk/download/pdf/82363265.pdf

Holte, N. H. (2012). Michael Ned Holte on Sharon Lockhart’s Five Dances and Nine Wall Carpets by Noa Eshkol, 2011. Movement Research. 193-194.

Höök, K. (2018). Designing with the body: Somaesthetic interaction design.

Kahol, K., Tripathi, P., & Panchanathan, S. (2004). Automated gesture segmentation from dance sequences. Sixth IEEE International Conference on Automatic Face and Gesture Recognition, 2004. Proceedings., 883–888. https://doi.org/10.1109/AFGR.2004.1301645

KIT (2020), KIT Whole-Body Human Motion Database.KIT. https://motion-database.humanoids.kit.edu/list/motions/

Knight, T. W. (1993). Color Grammars: The Representation of Form and Color in Designs. Leonardo,26(2), 117–124. JSTOR. https://doi.org/10.2307/1575896

Krüger, V., Kragic, D., Ude, A., & Geib, C. (2007). The meaning of action: A review on action recognition and mapping. Advanced Robotics, 21(13), 1473–1501. https://doi.org/10.1163/156855307782148578

LACMA (2020). Sharon Lockhart | Noa Eshkol. LACMA.https://www.lacma.org/art/exhibition/sharon-lockhart-noa-eshkol

Laumond, J.-P., & Abe, N. (Eds.). (2016). Dance Notations and Robot Motion (Vol. 111). Springer International Publishing. https://doi.org/10.1007/978-3-319-25739-6

Okada, N., Iwamoto, N., Fukusato, T., & Morishima, S. (2015). Dance Motion Segmentation Method based on Choreographic Primitives: Proceedings of the 10th International Conference on Computer Graphics Theory and Applications, 332–339. https://doi.org/10.5220/0005304303320339

Mandery. C. et al. (2015). The KIT Whole-Body Human Motion Database. Institute for Anthropomatics and Robotics Karlsruhe Institute of Technology (KIT). Retrieved from https://h2t.anthropomatik.kit.edu/pdf/Mandery2015a.pdf

Mårdberg, P., Carlson, J. S., Bohlin, R., Delfs, N., Gustafsson, S., & Hanson, L. (2014). Using a Formal High-level Language to Instruct Manikins to Assemble Cables. Procedia CIRP, 23, 29–34. https://doi.org/10.1016/j.procir.2014.10.074

Moore, M. W. (2010). “Grammars of Action” and Stone Flaking Design Space. University Press of Colorado, 33.

Noel, V. A. A. (2020). Situated Computations: Bridging Craft and Computation in the Trinidad and Tobago Carnival. Dearq, 27, 62–75. https://doi.org/10.18389/dearq27.2020.05

Novick, L. R., & Morse, D. L. (2000). Folding a fish, making a mushroom: The role of diagrams in executing assembly procedures. Memory & Cognition, 28(7), 1242–1256. https://doi.org/10.3758/BF03211824

Payne, S., & Green, T. R. G. (1986). Task-Action Grammars: A Model of the Mental Representation of Task Languages. Human-Computer Interaction, 2(2), 93–133. https://doi.org/10.1207/s15327051hci0202_1

Rieffel, J., & Pollack, J. (2005). Automated assembly as situated development: Using artificial ontogenies to evolve buildable 3-D objects. Proceedings of the 2005 Conference on Genetic and Evolutionary Computation - GECCO ’05, 99. https://doi.org/10.1145/1068009.1068023

Summers-Stay, D., Teo, C. L., Yang, Y., Fermuller, C., & Aloimonos, Y. (2012). Using a minimal action grammar for activity understanding in the real world. 2012 IEEE/RSJ International Conference on Intelligent Robots and Systems, 4104–4111. https://doi.org/10.1109/IROS.2012.6385483

Sutil, N. S., & Salazar Sutil, N. (2015). Motion and Representation: The Language of Human Movement. MIT Press. http://ebookcentral.proquest.com/lib/mcgill/detail.action?docID=3433775

Talwar, P. (1972). Notation systems in architecture. Massachusetts Institute of Technology. Dept. of Architecture. Thesis. 1972. M.Arch. http://hdl.handle.net/1721.1/31019

The Noa Eshkol Foundation for Movement Notation (2016). About Eshkol-Wachman Movement Notation. The Noa Eshkol Foundation for Movement Notation http://noaeshkol.org/about-eshkol-wachman-movement-notation/

The RAD Lab » TOMTOM Festival 2014. (2014). Retrieved from https://radlab.mechse.illinois.edu/2014/04/12/tomtom-festival-2014/

Urban Omnibus (2017, July 5). What Do You Avoid? Where Do You Belong? Urban Omnibus. https://urbanomnibus.net/2017/07/what-do-you-avoid-where-do-you-belong/

Wang, L., Wang, Y., & Gao, W. (2011). Mining Layered Grammar Rules for Action Recognition. International Journal of Computer Vision, 93(2), 162–182. https://doi.org/10.1007/s11263-010-0393-z